The lord loves changes, it’s one of his greatest delusions— un film de Annika Kahrs /

Au sein du film, un orgue et un choeur qui, lentement, performent une
déconstruction du rythme et de la mélodie. Le sifflement des choristes prolonge le timbre de l'orgue, allant de gestes de protestations à de délicates formations sonores.

Annika Kahrs’ the lord loves changes, it’s one of his greatest delusions engages with an organ, a choir and its components, slowly performing a deconstruction of rhythm and melody. Whistling performers confront the prolonged tone of an organ, moving between protest gestures and delicate formations of sound. In this film, whistling intertwines with music to form a confrontation with its context of protest, creating a musical interaction of tensions.