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Festival

- COVID-19 par

To make the confinement a little more pleasant, we have made available more than 250 films from our distribution catalogue, accessible here. A large majority of these films will remain available after the confinement.
ALBUM VIMEO
Category : Films annonces

- Ce dont le temps est fait par Diana Vidrascu

Rétrospective des films de Diana Vidrascu



Projection suivie d’une discussion avec Diana Vidrascu (cinéaste) et Paul Régimbeau (Mondkopf, musicien).
Séance du 19 mars 2020 au Grand Action à 20h
Category : Films annonces

- D’ici, la mer nous semble lointaine par Nour Ouayda

Programme de trois films proposés par Nour Ouayda


Quand tu grandis dans une ville au bord de la mer, tu te positionnes toujours par rapport à elle. Est-ce que la mer est à l’ouest ou à l’est ? au nord ou au sud ? proche ou lointaine ? Tu observes toujours comment elle change d’emplacement selon ta circulation…
Séance du 5 mars 2020 à La Clef Revival
Category : Films annonces

- HOMMAGE À DOMINIQUE NOGUEZ par Stéphane Marti

À l'occasion de notre prochaine séance régulière, le 22 février, qui viendra clôturer le colloque "Avec Dominique Noguez" organisé par Antoni Collot, Stéphane Marti a écrit un court texte en hommage à Dominique Noguez, dont il a été très proche.

(image tirée du Cinématon n°319 par Gérard Courant)
Lire le texte de Stéphane Marti
Category : Films annonces

- 2018 CJC' CATALOGUE par le CJC

A glimpse of the films recently added to Collectif Jeune Cinéma catalogue in 2018.
Catalogue 2018
Category : Films annonces

- Jacques Monory (1924-2018) par Jacques Monory

Nous apprenons avec tristesse le décès de Jacques Monory, peintre, photographe, cinéaste, survenu le 17 octobre dernier.
Tout notre soutien à ses proches.
EX (1968)
Category : Films annonces

- COMMODITY TRADING : ELECTION DAY by M. Woods par Michael Woods

My daughter, Virgil, guides my family through a personal and political hell in the Jungles of Los Angeles. This is a video from the perspective of a minority with white privilege. This is a video about white supremacy; this is a video fashioned as a weapon towards the malignant narcissist racist masquerading as head of state, and within we see the symbolic exchange and decay of post-spectacle media suspension, like a molasses flood that slowly suffocates the soul and crusts over as a dream. (An experimental documentary/narrative fashioned into an attack on the disturbing omnipotence of hyperrealism and fascist banality - best symbolized by Donald Trump's burning plastic effigy. Commodity Trading is a series of films incorporating all media available from super 8, 16mm, 35mm, cellphone, and high-resolution digital, into a violent collage of the simulacral tumult of media waste and the fury/anger of racism in the wake of the rise of Alt-Right neo-fascism.)
Visionner le film
Category : Films annonces

- Gradiva Esquisse I par Raymonde Carasco

Based on the theme of the novel “Gradiva” by W. Jensen, Raymonde Carasco manages to transform some realist images to an abstract ballet : the Gradiva’s step don’t stop to put itself in slow motion on a bas-relief.
voir un extrait
Category : Films annonces

- La Parole en Deux (excerpt) par Patrice Enard

La mise en scène de la parole à l'écran est le sujet du film. Seul le premier plan est synchrone. Tout ce qui suit est une exploration systématique de la production d'un discours à l'écran. Pour unifier cela et pointer les questions de la prise de parole, il fallait un message politique fort, militant. L'un des deux groupes maoïstes de Bordeaux, celui des théoriciens non rattachés au Parti Communiste, se prête avec talent à cet exercice de style.
extrait du film
Category : Films annonces

- LES DERNIERS HOMMES (trailer) par Quentin Brière Bordier

"A violent wind generates the images. The atmosphere is air tight (and stale?). Silent bodies in front of the mirror. The ritual of small repetitive gestures opens the scene at the hairdressers. In an unpredictable and fragile present, the traces of a past world hussle themselves within carved faces.
The storm quiets itself. A slow lethargy takes over everyday life: some people are eating, singing, playing ,some are walking in the sculpted out spaces. These lives are silenced by slowly sinking into the ordinary world, bodies swinging themselves at the gates of deep sleep.

Then, one day, humanity wakes up and crosses over to the exterior side. Armed with wise gestures and precious postures, they watch with a smile an uneasy world falling apart. The event has already taken place. The last men are standing straight as trees, eternal survivors witnessing the disaster of the absent world within the world.

From this consistant and unchangeable absence, these last men save the images."


LES DERNIERS HOMMES, Quentin Brière-Bordier (excerpt)
Category : Films annonces

- COMO CRECE LA SOMBRA CUANDO EL SOL DECLINA (TEASER) par Camilo Restrepo

16mm, color and b&w, sound, France - Colombia, 2014, 11'

Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living ; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
COMO CRECE LA SOMBRA CUANDO EL SOL DECLINA, Camilo Restrepo (TEASER)
Category : Films annonces

- A FILM (extract) par Franziska Kabisch

What does a house look like? How would you depict a city? Or a country? What´s the image of France?
And what am I? A human being? A woman? A sister? A student? An artist? A suspect? 'A Film' is a film about names, terms and the problems coming with them. It shows a juxtaposition of images from mass media, private albums and depictions of historical events. The content of each image is being named, determined. However, these names, significations become problematic. Some images need various names. Some terms can be illustrated differently. These ambivalences make clear how politically relevant, even dangerous the act of 'calling sb/sth a name' can be.

- filmkunstfest Mecklenburg-Vorpommern, Schwerin, April 30 - May 5, 2013
- 20 min|max Kurzfilmfestival Ingolstadt, May 11 - 17, 2013
- backup Kurfilmfestival Weimar, May 22 - 26, 2013
- Int. Short Film Festival Hamburg, June 4 - 10, 2013
- OFF Odense Internationale Film Festival, August 26 - 31, 2013

A FILM, Franziska KABISCH (extrait)
Category : Films annonces

- VALSE DE LA SYNTAXE CINÉTIQUE (extract) par Kunihiko Nakagawa


VALSE DE LA SYNTAXE CINÉTIQUE (extrait)
Category : Films annonces

- GRADIVA ESQUISSE (extract) par Raymonde Carasco

Based on the theme of the novel “Gradiva” by W. Jensen, Raymonde Carasco manages to transform some realist images to an abstract ballet : the Gradiva’s step don’t stop to put itself in slow motion on a bas-relief.
GRADIVA ESQUISSE (extract), Raymonde Carasco
Category : Films annonces

- Between Images III (Laura and the Black Crystal Suns) par Helene Garberg

Between Images III (Laura and the Black Crystal Suns) is a culmination to earlier explorations of the image as object versus imaginary space. In this case, the virtual image has been my outset. The video uses fiction as a way to re-frame- or make the visual material exceed itself, while it poses a quite literal scenario: the subject of the text has fallen into a gap in the material world and is now caught between images. Cited in part / partly reinvented is George Sand’s early romantic fiction ‘Laura - a Journey into the Crystal’. Important to me, in my use of text in the video, is the sense of an inner dialogue or stream of consciousness that may take on ‘voice’ again in the viewer/reader’s mind. I have aimed to create an experience of images as both states of flow and transition – and worlds that momentarily materialise.
Between Images III, consists of video recordings and photos from a complex of caves – inverted to the visual negative; a bright white environment where sources of light become concentrations of black. A narrative is played out in subtitles. This combines elements from George Sand’s early romantic fiction “Laura – a Journey into the Crystal” with my own writing. A first-person narrator tells a looping story of falling into ‘a gap in the material world’ while daydreaming, and now being lost between images. The ‘voice’ of Laura, that occurs half-way into the video, becomes exchangeable for the first-person narrator, when the video loops. The video is soundless.

The work is the third part of an ongoing series in which I have aimed to explore the phenomena of the image - in this case, the virtual image. The video is as much an attempt at representing a state of mind, a subjective time or flow of duration. Through the use of fiction, I have taken the idea of accessing the interior world of images quite literally. ‘Between’ now refers to the leap between different image-worlds. Likewise, the editing attempts to follow a literal logic; namely that each image/scene is of limited spatial depth. When a character walks into the image/scenery, she eventually dissolves/disappears and there is a cut to the next image/scene.

Category : Films annonces