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FOUR PARTS OF A FOLDING SCREEN à IndieLisboa (Portugal)

le 07/05/2018 à 17h00

FOUR PARTS OF A FOLDING SCREEN à IndieLisboa (Portugal)

Section Sylvestre

Portugal Premiere

Screenings : 26 avril à 18h45

and 7 mai à 17h00

Programme :

Four Parts of a Folding Screen (2018)
de Ian Wiblin, Anthea Kennedy

Date : 07/05/2018

Lieu : Cinema São Jorge Av. Da Liberdade, 175, Lisboa

AWARD WINNING AT THE PARIS FESTIVAL FOR DIFFERENT CINEMA (2015)

le 23/10/2015 à 20h00

FILMS PRIMÉS:

MUE(S), Frédérique Menant, France, 2015, 10’   (PROG 6)

NEITHER GOD NOR SANTA MARIA, Samuel M. Delgado & Helena Girón, Espagne, 2015, 12’ (PROG 5)

ARCHIPELS, GRANITES DENUDES, Daphné Hérétakis, Grèce – France, 2014, 25’20’’ (PROG 8)

REARRANGED, Ewa Górzna, Finlande, 2014, 9’50’’ (PROG 7)

L’ŒIL DU CYCLOPE, Jen Debauche, Belgique, 2015, 50’ (PROG 4)

MENTIONS SPÉCIALES DU JURY:

BROUILLARD - PASSAGE #15, Alexandre Larose, Canada, 2014, 10’ (PROG 1)

FRIEDRICHSFELDE OST, Milica Jovcic & Nenad Cosic, Serbie – Croatie, 2014, 3’50 (PROG 7)

COMPÉTITION CINÉASTES DE MOINS DE QUINZE ANS :

HALLUCINOGÈNE, Yvan Maratka, France, 2014, 17’20

VOITURES, Andreï Tachou, France, 2015, 4’10 

PANIQUE À BORD, Sinan Nercam, France, 2015, 2’10 

Date : 23/10/2015

Lieu :

FOVEAL EXPERIMENTS #1

le 06/02/2015 à 20h00

A series of films and videos on the ideas of displacedgeographies, soundscape  narratives and images without cameras
Foveal Experiments showcases experimental films and video from India and archive of Collectif Jeune Cinéma, an organisation based in Paris. A collaboration between Charu Maithani and Julia Gouin, the project exhibits a curated selection of video and films to be shown in Delhi and Paris as continuous and special screenings.
Foveal Experiments is an attempt to understand the viewing modalities of experimental cinema, video and artists films. This series of screenings were originally thought as a way to initiate an exchange of contemporary films and videos between India and Western Europe. Indeed, the field of experimental and essayistic cinema remains largely dominated by North American productions reinforcing a certain idea and frame of reference for the current experimental cinematic practices.
The project is an attempt to understand the changing and already changed modes of viewing moving image in museums and art galleries. A large number of galleries, museums and art organisations are creating spaces for film viewing.  Do films and videos have a different impact on the viewers based on where it is watched? What is relevance of a collective experience of watching when mobile devices like phone and tablets are increasingly becoming a more popular viewing device? Does the film history combine become a part of art history or vice versa? – These are a few questions that the project seeks answers to in an attempt to throw light on the interfaces through which we experience media and its connection to history and culture.
The project presents three programs with a range of contemporary filmmaking practices from filmmakers and artists working with different aesthetics, format and registers. Making a visual mix-tape, the films compiled under three modalities allows different positions and interpretations of the concept to be presented.
The first part of this series of program is presented in New Delhi in February while a second part will be screened in Paris in March 2015.
This program is curated by Charu Maithani and Julia Gouin.

Introduction (pdf)

Booklet (pdf)

Program #1 : Displaced Geographies


Encounters with Landscape (3x) (2012), Salomé Lamas, 29’/ 
Painted Diagram of a Future Voyage (Who Believes The Lens?) (2013), Mochu, 5’/ 
Night Noon (2014) Shambhavi Kaul, 12’
/ Rumaging for Pasts: Excavating Sicily, Digging Bombay (2001) Ashish Avikunthak, 27’
/ Wolkengestalt (2007), Silvia Maglioni & Graeme Thomson, 12’
/ Saras (2012), Sahej Rahal, 1’45
/ Narmada (2012) Manon Ott & Grégory Cohen, 40’


/

Program #2 :

Soundscape Narratives
Mount Song (2013), Shambhavi Kaul, 9’
/ A Film (2012), Franziska Kabisch, 3’3
/ Nayi Kheti (2013), Pallavi Paul, 11’
/ Chicxulub - Tierra Extraterrestre (2013), Helene Garberg, 6’30
/ A New Song for Nilli (2013), Sindhu Thirumalaisamy, 11’25/ 
I am Micro (2012), Shumona Goel & Shai Heredia, 15’
/ Notes Via a Soundscape of Bollywood (2014), Gilles Aubry, 32’40/ Kalighat Fetish (1999), Ashish Avikunthak, 23’


/

Program #3 : Images without camera
K (Rêves Berbères) (2007), Frédérique Devaux, 4’
/ Noise Reduction II: Chinatown (2014), Rahee Punyashloka, 15’43
 / Transit (2011), Sabrina Ratté, 4’06/ 
Satyagraha (2010), Jacques Perconte, 6’
/ Herbe (2014), Les Ballets Russes, 3’
/ Tube Tracks #3 (Blind Data) (2013), Silvia Maglioni and Graeme Thomson, 12’
/ The Invention of the Desert (2014), Thibault Le Texier, 7’10
/ Code Work (2006), Abhishek Hazra, 6’23/ 
The Uprising (2014), Peter Snowdon, 80’


/

 

Khoj

Programme :

The Invention of the Desert (2014)
de Thibault Le Texier

K (Rêves Berbères) (2007)
de Frédérique Devaux

Mount Song (2013)
de Shambhavi Kaul

Transit (2011)
de Sabrina Ratté

Satyagraha (2009)
de Jacques Perconte

Chicxulub - Tierra Extraterrestre (2013)
de Helene Garberg

Wolkengestalt (2007)
de Graeme Thomson, Silvia Maglioni

Date : 06/02/2015

Lieu : Khoj international artist association (New Delhi)

Screening : The view from our house (2013) Anthea Kennedy and Ian Wiblin

le 03/06/2014 à 18h30

Screenings :

Tuesday,3rd June 2014 at 18.30: The View from Our House (2013, 76 mins.) and Bag of a Thousand Pockets (2002, 8 mins.)

Tuesday, 3rd. June 2014 at 14.30: The View from Our House, screening as part of City Symphonies: London, Paris, Berlin and New York
http://www.londonscreenstudy.com

All welcome to both screenings. Admission free

"... a haunting and quietly moving essay film that revolves around the
memories of a young woman growing up in Nazi-era Berlin. ...a film that
sorrowfully re-creates the texture of everyday life."
(Edward Lawrenson, Rotterdam Film Festival)

BAG OF A THOUSAND POCKETS (2002)
“My bag has a thousand pockets. In each one is a memory.”
These words are spoken by the filmmaker's father during this short film
in which he recalls brief and fragmented memories of his life in Germany
before being forced into exile.

Birkbeck Cinema  43 Gordon Square  London WC1H 0PD

Map and directions: http://www.birkbeckcinema.com/filmsociety/whereweare.htm

For further information about the films:

The View from Our House (2013) 76 mins.
http://www.view-from-our-house.info/

Bag of a Thousand Pockets (2002) 8 mins.
http://antheakennedy.wordpress.com/bag-of-a-thousand-pockets-2002/

 

London Screen Study

Date : 03/06/2014

Lieu : London screen archives

le 17/10/2013 à 16h00

Programme :

Hors-Jeux (1980)
de André Almurò

Avis de recherche
de André Almurò

L’ Inopiné (1987)
de André Almurò

Le Troisième Oeil (1989)
de André Almurò

Date : 17/10/2013

Lieu : LE FORUM DES IMAGES - FORUM DES HALLES, 2 rue du Cinéma, Paris 1er

FROM CINE TRACT TO TUBE-TRACT : a workshop proposal by Silvia Maglioni and Greame Thomson

le 14/05/2013 à 19h00

For this practical workshop – which continues on from research we contributed to the collective project AND...AND...AND at dOCUMENTA(13) – we would like to look at how a particular genre of militant cinema (the ciné-tract) and a related « pedagogy of the image » (notably in the work of the Dziga Vertov Group), might be taken up and rethought within the context of contemporary viral and social media in order to complexify the way social struggles and resistance movements are presented. Considering forms of montage that work to arrest or derail communication and information flow, our aim is to look at how a renewed underground cinema of capture and « detournement », a genre we could call the “tube-tract”, might formulate a political-poetic language to address symptoms of crisis, create new affects and new forms of collective awareness.

Participants are advised to bring their own laptops. 

Free entry

Silvia Maglioni & Graeme Thomson (Terminal Beach)

Point Ephémère

Date : 14/05/2013

Lieu : Le Point Ephémère

le 07/02/2013 à 20h15

Ciné 104

Date : 07/02/2013

Lieu : Ciné 104 - 104 avenue Jean Lolive - 93500 Pantin - Métro Eglise de Pantin

UNDERGROWTH by Robert Todd : best experimental documentary at Jihlava film festival

le 28/10/2012 à 20h00

UNDERGROWTH by Robert Todd is awarded the best experimental documentary prize at Jihlava Film Festival. The jury members were: Petr Skala, Hana Skalová, Bohdana Kerbachová.
 

Jihlava Documentary film festival

Programme :

Date : 28/10/2012

Lieu : République Tchèque

le 13/10/2012 à 14h45

FESTIVAL CHÉRIES-CHÉRIS

Date : 13/10/2012

Lieu : LE FORUM DES IMAGES, PARIS

Re opening of the film gallery

le 10/09/0012 à 20h00

Re-voir

Date : 10/09/0012

Lieu :

Rue des Petites Maries de Laurence Rebouillon au festival Silhouette

le 08/09/0012 à 20h00

Programme :

Rue des Petites Maries (2003)
de Laurence Rebouillon

Date : 08/09/0012

Lieu : Festival Silhouette, Buttes Chaumont

Are we there yet? by Moira Tierney screened in Baltimore

le 25/08/0012 à 20h00

SCENE MISSING exposes the enduring tradition in experimental cinema of repurposing found and original film footage. The medium is masterfully recycled by means of chemical and optical manipulations. Frame by frame, the filmmakers’ devotion to celluloid involves an intensely personal quality and handcrafted integrity. Emotional resonance projects through the envisioning of ephemeral worlds, excavation of collective memory and disruption of narrative artifice. The beauty of what is long gone or recently passed is resurrected through unique film spaces that overwhelm the senses.

Films:

Poor Jim
By Kenny Curwood
2012, 16mm, b/w & color, sound, 9m
Poor Jim started as one 100 foot roll of hi-con (shot for a music video). Through optical printing, the footage morphs from the original b&w negative, to positive (b&w), to synthetic color (via multiple passes through filters), finally decomposing into abstract mandalas created by exposing each frame up to 9 times. Interspersed throughout is hand-drawn animation. Optical sound was added with a 70-year-old Auricon camera. - Kenny Curwood

Make them Jump
By Kelly Spivey
2009, 16mm, color, sound, 11m
‘Excerpted from an optically printed from found footage of animals with children, with subliminal messages … an experimental film that uses snippets from discarded educational films including a bullfrog-jumping contest, a story of a child in a Harlem project who finds an abandoned duck, and a girl whose best friend is a cow. Inspired by the Rachel Carson quote: “It is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility,” the film digs frame-by-re-photographed-frame for the underlying, yet now tenuous beauty in nature and our awkward, yet increasingly poignant relationship with animals.’ – Kelly Spivey

Gossamer Walls
By Malic Amalya and Peter Miller
2007, 16mm, b/w, sound, 5m
Image by Malic Amalya, Sound by Peter Miller
'Through the process of contact printing, hand processing, and low-fi optical printing, Gossamer Walls remembers, mis-remembers, and reinterprets a previous generation’s super 8 home movies.' - Malic Amalya
 

Are We There Yet?
By Moira Tierney
2010, S8mm-to-16mm, color, sound, music by Macdara Smith & the Bahh Band, 10m
‘The optic printer broke down, repeatedly. It stuttered, it jumped, it stuck; I rewound, started again, reloaded … In the end I kept it all in – the jumps and the flares as well as the conventionally well-behaved footage; for me it represents the apparent paradox of the border and the struggle one faces when attempting to describe something that slippery – landscape? political imposition? colonial hangover? to be avoided in polite conversation? fact of fiction? comedy, tragedy or farce? to which the only answer I could find is another question: are we there yet?’ – Moira Tierney

Inside Velvet K
By Luther Price
2006, 16mm, color, sound, 10m
‘Apocalyptic post card ...........’ – Luther Price

Her Fragrant Emulsion
By Lewis Klahr
1987, 16mm, color, sound, 11m
'Her Fragrant Emlusion is an obsessional homage to the 60′s B-film actress Mimsy Farmer.' – Lewis Klahr.

Outer Space
By Peter Tscherkassky
1999, 16mm, b/w, sound, 10m
‘A woman, terrorized by an invisible and aggressive force, is also exposed to the audience’s gaze, a prisoner in two senses. Outer Space agitates this construction, which is prototypical for gender hierarchies and classic cinema’s viewing regime, and allows the protagonist to turn them upside down. (…) Flickering images, everything crashes, explodes; perforations and the soundtrack are engaged in a violent struggle. (…) The story ends in the woman’s resistant gaze.’ – Isabella Reichert

Keep the Home Fires Burning
By Ryan O’Toole
2008, 16mm, b/w & color, sound, 8m
‘A short autobiographical 16mm film about duty and loss, seen in the home movies of a military family. Focusing on fathers and sons, the filmmaker mixes the voices and imagery of three generations, accompanied by the filmmaker’s original score, to illuminate the effects of war on veterans and their children.’ – Ryan O’Toole

The Exquisite Hour
By Phil Solomon
1994, 16mm, color, sound, 14m
‘Partly a lullaby for the dying, partly a lament of the death of cinema … [it] is dedicated to the memory of my grandparents, Albert Solomon, who was a projectionist for Fox, and Rose Solomon, who took tickets at Lowe’s Paradise in the Bronx. Based on the song by Reynaldo Hahn and poem by Paul Verlaine.’ – Phil Solomon

http://sightunseenbaltimore.com/

Date : 25/08/0012

Lieu : Sight Unseen Baltimore

Pierre Merejkowsky - Court-circuit/Arte

le 01/08/2012 à 20h00

Pierre Merejkowsky reviews his first short film shot in 1977  "Scène de ménage chez les gauchistes", realised with a community set up for the occasion.

Court-circuit
mercredi, 1 août 2012 à 05:00
Pas de rediffusion
(France, 2012, 5mn)
ARTE F

Court-circuit/ arte

Date : 01/08/2012

Lieu : Arte

INTERNSHIPS AT CJC

le 31/12/2012 à 00h00

Date : 31/12/2012

Lieu :

le 14/05/2012 à 20h00

Date : 14/05/2012

Lieu :

WATER AND WORLD REFLECTIONS

le 04/06/2012 à 20h00

A screening at Bernardins College organised collaborativelly by Rodolphe Olcèse and Lowave.

Ismaïl Bahri, Helga Fanderl and Marylène Negro will be present.

Date : 04/06/2012

Lieu : Collège des Bernardins

Parisian Experiment, the CJC at the 59th Belgrade Documentary and Short Film Festival

le 02/04/0012 à 23h00

A program curated by Dunja Jelenkovic, in presence of Laurence Rebouillon.

It's Time for New Images!

Different cinema, experimental film, avant-garde, other cinema, independent, personal, underground, activist, parallel, new, singular, militant, creative, art film! Belgrade Documentary and Short Film Festival is proud to present to its audiences Collectif Jeune Cinéma: the oldest France's filmmakers' co-op, founded in 1971 in Paris. Inspired by the model of the Filmmakers' Coop in New York, Collectif Jeune Cinéma is devoted to distribution and promotion of experimental practice in moving images and filmmaking in order to always present without discrimination all the forms of filmmaking that are otherwise marginalized by the official culture.

The program chosen for the 59th Belgrade Documentary and Short Film Festival consists of eight works from the Collectif Jeune Cinéma's catalogue. It is a diverse selection that aims to present various contexts of different and experimental images – from a poetic story Little Mary Street (France, 2003) by the cooperative's president Laurence Rebouillon, to Guiding Fictions (Mark Street, USA, 2002) a five- minute short that will take us on a dream-like walk in a park of visual beauty and twisted reality. French filmmaker Patrick Bokanowski, known for his use of the technique of reflective mirrors, through which he films a completely distorted reality, will be presented by his short At The Edge of the Lake (France, 1994). Bokanowski collects rounded, blown or hammered shards of glass through which to film, and then manufactures optics and experiments with reflective surfaces, mirrors (both stable and moving), and mercury baths. We will also see enjoyably slow works Maldoror (Colombia, 2006), originally an installation video for three screens inspired by the 19th century prose poem The Songs of Maldoror (Comte de Lautréamont/ Isidore Ducasse) and Boundary (Devin Horan, USA, 2009), a non- narrative mood story caught betweenimages and sounds of a night in a remote landscape near Latvian- Russian border. A tribute to Black Power, Black's Back (Derek Woolfenden, France, 2009), uses sequences from Hollywood movies and has a rather different rhythm and style than the other films in the program. Since 2011 marked the 40th anniversary of the Collectif, the program selected for Belgrade includes films from different periods of the cooperative's history, spanning from the year 1979 (Robert Cahen's Arrêt sur marche) to Tanatchai Bandasak's Schip (Thailand, 2010), one of the laureates at the latest, 13th Paris Festival of Different and Experimental Cinemas (festival organized every December by the cooperative).

http://www.kratkimetar.rs/news/single-news.97.html

Programme :

Rue des Petites Maries (2003)
de Laurence Rebouillon

Guiding fictions (2002)
de Mark Street

Au bord du lac (1994)
de Patrick Bokanowski

Maldoror (2006)
de Lucio Molinari, Daniel Alzate-Romero

Boundary (2009)
de Devin Horan

Black’s Back (2009)
de Derek Woolfenden

Arrêt sur marche (1979)
de Robert Cahen

Schip (2010)
de Tanatchai Bandasak

Date : 02/04/0012

Lieu : 59th Belgrade Documentary and Short Film Festival

La Notte e il Giorno, by Gianni Castagnoli at the Cinéma du Réel

le 29/03/0012 à 14h00

La notte e il Giorno de Gianni Castagnoli va être projeté dans le cadre de la séance A nous la vie n#5 au Cinéma du Réel.

A nous la vie

Le cinéma politique italien des années 70

Dans l’effervescence politique des années 70 en Italie, les cinéastes, les militants, les artistes, s’emparent du cinéma et de la vidéo nouvellement apparue. Des réalisateurs les plus confirmés comme Pier Paolo Pasolini ou Vittorio De Seta, le maître du documentaire italien, aux figures les plus marquantes de la contreculture audiovisuelle comme Alberto Grifi, en passant par la nouvelle génération de Marco Bellocchio, c’est tout le cinéma italien qui s’engage dans la passion politique et l’utopie pour s’emparer de la vie.
Avec la collaboration de Federico Rossin.

http://www.cinemadureel.org/fr/festival-2012/programme/a-nous-la-vie/a-nous-la-vie-5

Programme :

La Notte e il giorno (1976)
de Gianni Castagnoli

Date : 29/03/0012

Lieu : Centre Pompidou

Senses of cinema #61 is online

le 31/01/2012 à 00h00

Issue #61 of Senses of cinema is now available on-line with texts by and about several CJC's members:

- Cinema and Abstraction: From Corra to Hugo Verlinde de Raphaël Bassan sur les oeuvres de Christian Lebrat, Pip Chodorov, Philippe Cote, Dominik Lange et Hugo Verlinde.

- Keeping Experimental and "Different Cinema" Alive! An Interview with Marcel Mazé de Viviane Vagh

Senses of cinema

Date : 31/01/2012

Lieu :

CARTE BLANCHE AT CJC AT L'ALTERNATIVA FILM FESTIVAL, BARCELONA

le 12/11/2011 à 21h30

In the contest of the exchange program proposed by  L'Alternativa Film Festival, on Saturday, November, 12th at 9:30 pm, CJC will present a program of recent films from its catalogue.

Screening presented by Gloria Morano.

L'ALTERNATIVA FILM FESTIVAL

Programme :

Satyagraha (2009)
de Jacques Perconte

Le Brâme du cerf (2002)
de Bernard Cerf

Desde la memoria (2003)
de Christina Von Greve

I Wanna Be Your Rom (2003)
de Guillaume Tisseyre, Rodolphe Olcèse

Devilish Cheat - Statue Smashed Face (2011)
de Fabien Rennet

Paysages Liminaires (2010)
de Daphné Le Sergent

Il était une fois l’écologie (2010)
de Pierre Merejkowsky

Black’s Back (2009)
de Derek Woolfenden

Date : 12/11/2011

Lieu : L'ALTERNATIVA FIM FESTIVAL, Barcelone, Espagne

CJC 40 YEARS : THE WORLD TEST - 'carte blanche' at CJC at Fabrice Lauterjung's studio, Lyon

le 08/11/2011 à 20h00

Screening presented by Damien Marguet 5 films questionning differently the cinema possibilities of recording and representing the world. Mixing up recording, inscription and creation, their authors keep being at the limit of experimental cinema and documentary film.

Le Corps Humain de Alexandre Larose

Aurélia Steiner (Melbourne) de Marguerite Duras

America #3: Life, Liberty & the Pursuit of Happiness de Moira Tierney

Quixote de Bruce Baillie

Fête d'anniversaire des parents de Dominik Lange

Trusted de Peter Snowdon

Programme :

Le Corps Humain (2006)
de Alexandre Larose

Aurélia Steiner (Melbourne) (1979)
de Marguerite Duras

AMERICAN DREAMS #3: Life, Liberty & the pursuit of happiness (2001)
de Moira Tierney

Quixote (1965)
de Bruce Baillie

Fête d’anniversaire des parents (2003)
de Dominik Lange

Date : 08/11/2011

Lieu : Atelier de Fabrice Lauterjung, 41, rue Pierre Dupont 69001 Lyon

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - POLYPHONIC POINTS OF VIEW

le 25/09/2011 à 20h00

Screening presented by Laurence Rebouillon and Bernard Cerf How to elaborate a sound work when, for example, some films as Super-8 are silent or when the handcrafted labs work or the digital editing supplant the shooting and create a peculiar animation and rhythm? These constraints or desires stimulate some filmmakers to thwart the expectations of a classical linear narration in order to propose an asynchronous experience betweenimage and sound and to create this way films getting away from any dogmatic and unequivocal perception of the world. - "Vestibule" by Ken Kobland - "My Room le Grand Canal" by Anne-Sophie Brabant and Pierre Gerbaux - "Pur fantôme" by Sébastien Durand - "Avril 99" by Bernard Cerf - "Le Sourire d’Alice" by Laurence Rebouillon

Centre Pompidou

Programme :

Vestibule (1978)
de Ken Kobland

My Room Le Grand Canal (2002)
de Anne-Sophie Brabant, Pierre Gerbaux

Pur Fantôme (2003)
de Sébastien Durand

Avril 99 (1999)
de Bernard Cerf

Le Sourire d’Alice (2000)
de Laurence Rebouillon

Date : 25/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - RITUALS

le 25/09/2011 à 17h00

Screening presented by Marie Sochor and Damien Marguet From the daily gesture to the original ceremony, these films question the female representation through the prism of strangeness. - "La femme rouge vomit ses mots" by Marie Sochor - "Sonja" by - "The Shape of the Gaze" by Maïa Cybelle Carpenter - "Autoportrait en 3’23" by Cécilia Rodriguez - "La Princesse est indisposée, elle ne reçoit personne" by Gabrielle Reiner - "Pandrogeny Manifesto" by Dionysos Andronis - "Boucle noire" by Denis Guéguin - "Appolénus" by Baptiste Lamy - "Rosée Nocturne" by Jean-Paul Noguès - "Day's night" by Catherine Corringer

Centre Pompidou

Programme :

La Femme Rouge vomit ses mots (2002)
de Marie Sochor

Sonja (2011)
de Marianne Ploska

The Shape of the Gaze (2000)
de Maïa Cybelle Carpenter

Autoportrait en 3’23 (2002)
de Cécilia Rodriguez

La Princesse est indisposée, elle ne reçoit personne (2007)
de Gabrielle Reiner

Pandrogeny Manifesto (2005)
de Dionysos Andronis

Boucle noire (2006)
de Denis Guéguin

Appolénus (2000)
de Baptiste Lamy

Rosée Nocturne (2006)
de Jean-Paul Noguès

Day’s night (2005)
de Catherine Corringer

Date : 25/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - DISORIENTATION

le 25/09/2011 à 14h00

Screening presented by Louis Dupont From the imaginary trip to the solitary walk, the interlacing of bodies and voices with settings or spaces is often linked to an inner landscape, to a feeling. - "L’eau, l’air et les songes" by Cécile Ravel - "Sea travels" by Anita Thacher - "Memosium" by Louis Dupont - "Where did Maria go?" by Viviane Vagh - "Wolkengestalt" by Silvia Maglioni and Graeme Thomson - "Terrae" by Othello Vilgard - "Sleepers" by Stuart Pound - "Kokoro is for heart" by Philip Hoffman - "Mai" by Orlan Roy - "Dimanche" by Rodolphe Olcèse - "premier lieu : Venerque" by Damien Marguet

Centre Pompidou

Programme :

L’ Eau, l’air et les songes (2009)
de Cécile Ravel

Sea Travels (1979)
de Anita Thacher

Memosium (2002)
de Louis Dupont

Where Did Maria Go? (2009)
de Viviane Vagh

Wolkengestalt (2007)
de Graeme Thomson, Silvia Maglioni

Terrae (2001)
de Othello Vilgard

Sleepers (1974)
de Stuart Pound

Kokoro is for heart (1999)
de Philip Hoffman

Mai (2007)
de Orlan Roy

Dimanche (2004)
de Rodolphe Olcèse

premier lieu : Venerque (2005)
de Damien Marguet

Date : 25/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - THE BOUNDLESS ESCAPE OF FRAMEWORKS

le 24/09/2011 à 20h00

Screening presented by Pip Chodorov (to be confirmed) These 8 films question our relationship to the optical illusion. The mimetic representation and the figures it creates are in a dialogue with the abstraction in order to propose a relationship to the time, inviting to a meditative contemplation. - "Mémoires filmiques" by Florence De Méredieu - "Voda" by Alexis Constantin - "Charlemagne 2 : Piltzer" by Pip Chodorov - "L'entre-deux" by Philippe Cote - "Autoportraits 1994-1998" by Olivier Fouchard - "Coming soon" by David Bart - "Incarnation (boy) Negative & Positive" by Tony Wu - "The Dante Quartet" by Stan Brakhage

Centre Pompidou

Programme :

Mémoires Filmiques (1981)
de Florence De Mèredieu

Voda (2002)
de Alexis Constantin

Charlemagne 2: Piltzer (2002)
de Pip Chodorov

L’ Entre deux (2003)
de Philippe Cote

Autoportraits 1994-1998 suivi de Chairs et sang (1998)
de Olivier Fouchard

Coming Soon (2005)
de David Bart

Incarnation (Boy) Negative & Positive (2003)
de Tony Wu

The Dante Quartet (1987)
de Stan Brakhage

Date : 24/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - BODY-MATERIAL

le 24/09/2011 à 17h00

Screening presented by Sarah Darmon The human figure has links with the film material in order to mix each other and to disappear in light vibrations. - "Outlaw" by Ann Steuernagel - "Empreinte" by Xavier Baert - "Pulsions" by Izabella Pruska-Oldenhof - "Ai (Love)" by Takahiko Iimura - "Allegoria" by Stéphane Marti - "Ink" by Sarah Darmon - "Petit Enfer" by Raphaël Sevet - "Element" by Amy Greenfield - "Rencontre avec Franck" by Isabelle Blanche - "Visages perdus" by Alain Mazars - "Rose" by Robert Todd - "J." by Alexandre Larose et Solomon Nagler - "Film (Knout)" by Deco Dawson - "En-corps" by Colas Ricard - "Hymen" by Carole Arcega

Centre Pompidou

Programme :

Outlaw (2008)
de Ann Steuernagel

Empreinte (2004)
de Xavier Baert

Pulsions (2007)
de Izabella Pruska-Oldenhof

AI (love) (1962)
de Takahiko Iimura

Ink (2001)
de Sarah Darmon

Petit Enfer (2006)
de Raphaël Sevet

Element (1973)
de Amy Greenfield

Rencontre avec Franck (1999)
de Isabelle Blanche

Visages Perdus (1983)
de Alain Mazars

Rose (2008)
de Robert Todd

j. (2008)
de Solomon Nagler , Alexandre Larose

Film (Knout) (1999)
de Deco Dawson

En-Corps (2002)
de Colas Ricard

Hymen (2003)
de Carole Arcega

Date : 24/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - GAME OF IMAGES

le 24/09/2011 à 14h00

Screening presented by Gérard Cairaschi Playing with images in order to foil them. Films and videos presented in this program have in commun the utilisation of shooting or editing system that play or foil the images. Optical games, plays using visual systems, games of collages/editing that put together or question images, examining our perception, playing with film possibilities of creating inexpected and unsettiling meetings. - "Da Movies" by Sandy Ressler - "Una vita" by Dominique Noguez - "Série BB N°2 Blanblan/noir ou ‘le savon noir’" by Carole Contant - "Janiceps" by Augustin Gimel - "Magia" by Gérard Cairaschi - "Maldoror" by Lucio Molinari et Daniel Alzate-Romero - "Black's Back" by Derek Woolfenden - "Au bord du lac" by Patrick Bokanowski - "Reconstitution" by Hélène Abram - "Et le cochon fut né" by Julius Ziz

Centre Pompidou

Programme :

Da Movies (1980)
de Sandy Ressler

Una Vita (1981)
de Dominique Noguez

Série BB N°2 Blanblan/noir ou ‘le savon noir’ (2008)
de Carole Contant

Janiceps (2010)
de Augustin Gimel

Magia (2010)
de Gérard Cairaschi

Maldoror (2006)
de Lucio Molinari, Daniel Alzate-Romero

Black’s Back (2009)
de Derek Woolfenden

Au bord du lac (1994)
de Patrick Bokanowski

Reconstitution (2005)
de Hélène Abram

Et le cochon fut né (And the pig was born) (2000)
de Julius Ziz

Date : 24/09/2011

Lieu : Centre Pompidou - Cinéma 2

CJC FROM 1971 TO 2011: THE COLLECTIF IS 40! - OPENING : THAT 70'S SHOW

le 23/09/2011 à 20h00

Screening presented by Laurence Rebouillon and Marcel Mazé From the meeting between Marcel Mazé and Jonas Mekas for the screening of "Notes on the circus", that Marcel Mazé showed at Rencontres internationales de Hyères, is born the desire of creating the Collectif Jeune Cinéma on the model of the Film-Makers’ Cooperative in New York. Here an eclectif panorama of the filmmakers of the coop' first decade. - "Notes on the circus" by Jonas Mekas, - "Focalises" by Marcel Mazé, 1980 - "Le départ d’Eurydice" by Raphaël Bassan - "Merce Cunningham" by Jackie Raynal - "Ex-tension" by Jean-Paul Dupuis - "Celluloid Heroes" by Jérôme de Missolz - "Scène de ménage chez les gauchistes" by Pierre Merejkowsky - "Die Strassen sind voll von grossartigen Technikern" by Jürgen Salk - "Scopolamine" by Robert Withers

Centre Pompidou

Programme :

Notes on the circus (1966)
de Jonas Mekas

Focalises (1980)
de Marcel Mazé

Le Départ d’Eurydice (1969)
de Raphaël Bassan

Merce Cunningham (1963)
de Bernard Orthion, Patrice Wyers, Etienne Becker, Jackie Raynal

Ex-Tension (1988)
de Jean-Paul Dupuis

Celluloid Heroes (1977)
de Jérôme De Missolz

Scène de ménage chez les gauchistes (1979)
de Pierre Merejkowsky

Die Strassen sind voll von grossartigen Technikern (1981)
de Jürgen Salk

Scopolamine (1975)
de Robert Withers

Date : 23/09/2011

Lieu : Centre Pompidou - Cinéma 2

Publication of collection CINÉMA HORS CAPITAL(E), Film Flamme

le 30/06/2011 à 20h00

The first issues of the books collection 'Cinéma Hors Capital(e)' published by Film Flamme are now available. The CJC filmmaker Rodolphe Olcèse has written an article for the issue #1 "La Remontée du Temps de Jean-François Neplaz".

Film Flamme

Date : 30/06/2011

Lieu : Film Flamme

The university dissertation by Sara D'Agostino

le 30/06/2011 à 20h00

Thu university dissertation written by Sara D'Agostino "Cinema sperimentale francese : il Collectif Jeune Cinéma″ (2001) is now available at the Kandinsky Library, Pompidou Centre.

Bibliothèque Kandinsky

Date : 30/06/2011

Lieu : Bibliothèque Kandinsky

le 14/12/2010 à 00h00

News #11 - Le palmarès du festival

Date : 14/12/2010

Lieu : Site internet du CJC

le 13/12/2010 à 00h00

Programme :

Koh (2010)
de Adam R. Levine

Rush (2009)
de Maarten Rots

Flesh (2009)
de Maarten Rots

Zone opaque - La matière (2009)
de Smaranda Olcèse-Trifan

The Wealth of Nations (2010)
de Bill Balaskas

Chasing Waves (2009)
de Paul O’Donoghue

Light / Sound (2010)
de Vicky Langan, Maximilian Le Cain

Lichtbälle (2009)
de Stefan Möckel

42_storie da un edificio mondo (2009)
de Francesca Cogni

Pantocrator (2010)
de Anita Renaud

Orissa (2010)
de Philippe Cote

Date : 13/12/2010

Lieu : Site internet du Collectif Jeune Cinéma

le 15/11/2010 à 00h00

Le site de Bref

Date : 15/11/2010

Lieu : Bref, le magazine du court-métrage

le 01/09/2010 à 00h00

étoilements

Date : 01/09/2010

Lieu : Collectif Jeune Cinéma

le 31/03/2010 à 23h00

X-PERIENCE sur le site de Pink TV

Programme :

Lost Portraits (1985)
de Ricardo Nicolayevsky

Loving Black (2007)
de Baptiste Lamy

Date : 31/03/2010

Lieu : Pink TV

le 05/04/2010 à 00h00

étoilements

Date : 05/04/2010

Lieu : Collectif Jeune Cinéma

le 18/12/2009 à 00h00

étoilements

Date : 18/12/2009

Lieu : Collectif Jeune Cinéma

le 29/11/2009 à 12h00

Première détonation !

Date : 29/11/2009

Lieu : Mains d'Oeuvres

le 01/12/2009 à 20h30

Photogrmame

Date : 01/12/2009

Lieu : Abracadabar